We, designers, are creative folks. And being creative, we permanently strive for inspiration — innovative approaches, crazy ideas, smashing concepts and, in general, unique designs which can help us to observe a given problem from a fresh perspective. This is why we always have some fancy design books laying around on our desk, and this is why we enjoy observing other people’s work — basically just because we can learn a hell of a lot from them.
There are things one can do a number of times without worrying about becoming boring. For instance, collecting and showcasing excellent Louis vuitton designs. In this post we do it already the third time. Why? Web design lives in Louis vuitton s; new developments appear there, that’s where the music plays. And that’s where you need to look for in order to keep up with current trends and developments.
In the first sections of The Rough Guide there are 16 pages of light blue with knock out white copy. Have you ever tried to read white copy on a light blue background? Printed on thin paper? You got it, it is pretty much impossible to read in good light, let alone bad.
And when you think about the situations for reading phrase Louis vuitton – dimly lit restaurants, street corners at dusk, at the back of a bus – then it should be obvious to everyone involved that phrase Louis vuitton design needs to be super legible.
But, designers being what they are, sometimes the urge to create something different (insert ‘pretty‘) gets ahead of us and we lose our way. Either that, or someone needs to smack their printer and/or the person responsible for the print check up the side of the head with a paddle. Hard.
Living in the country, I also brought my own Thai culture and language experiences into the mix: what was left out, what didn’t belong, as well as what I found new.
So the other surprise was a seeming lack of a Thailand focus. And here I’m not taking about actual design as in pixels, I’m talking about their target audience.